29 November 2019 - 10 h 00 min - 12 h 00 min
Required Reading: Nizan Shaked, “The Synthetic Proposition: Conceptualism as Political Art,” in The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art, Manchester: Manchester University Press, 2017, pp. 113-150.
*Presentation 1: Adrian Piper, “The Triple Negation of Colored Women Artists,” in Amelia Jones, ed., The Feminism and Visual Culture Reader, London; New York: Routledge, 2010, pp. 239–246.
*Presentation 2: Gil Pasternak, “Intimate Conflicts: Foregrounding the Radical Politics of Family Photographs,” in Tanya Sheehan, ed., Photography, History, Difference, Hanover: Dartmouth College Press, 2015, pp. 217-236.
*Presentation 3: Erina Duganne, “Roy DeCarava, Harlem, and the Psychic Self,” in The Self in Black and White: Race and Subjectivity in Postwar American Photography, Hanover: Darthmouth College Press: University Press of New England, 2010, pp. 132-167.
Instructor: Tatsiana Zhurauliova
Terra Foundation for American Art Center,
121 rue de Lille, 75007 Paris