Laboratoire de Recherche sur les Cultures Anglophones, UMR 8225

Partenaires

CNRS
Université Paris Diderot- uspc

Rechercher




Accueil > Members > Faculty

Martine Beugnet

publié le , mis à jour le

Title : Professor in Visual Studies

Email

Research Themes :

  • Cinema and video art (phenomenology, aesthetics, reception)
  • Forms and pratices of the moving image in the era of the digital
  • Image and scale (visual culture and « Gulliverisation »)
  • Technology, image and estrangement
  • Cinema and intermediality

Current Projects :

  • Two ongoing book projects : « Body and Screen » (phenomenology, aesthetics and practices of the moving image in the era of the digital), and « Le cinéma et ses doubles » (Bord de l’Eau, usages des patrimoines numérisés)
  • Recent Conference Papers :
    Dream Screen : Cinema, painting, and the attraction of blur (Cambridge, September 2017) ; Big Screen, Small Screens : Intermedial Encounters across the Scales (Vienne, Film and Art, June 2017) ; Digital Limbos. On Moving Images in Digital Film Menus (Necs, 2017), (S)wipe : Violence and the User Interface (IAMHIST, July 2017)

Education and Academic Positions :

  • Since Septembre 2012 : Professor in Visual Studies, University of Paris 7 Diderot
  • 2008 - 2012 : Professor in Film Studies, University of Edinburgh
  • 2005 - 2008 : Reader in Film Studies, University of Edinburgh
  • 1999 - 2005 : Lecturer in Film Studies, University of Edinburgh
  • 1997-1999 : Lecturer in Film Studies, Université de Northumbria, Newcastle
  • 1999 : PhD in Film Studies, « Framing the Other », University of Edinburgh
  • 1995-1997 : Lecturer in Film Studies, Edinburgh School of Arts and University of Glasgow
  • 1989-1996 : Arts Officer, Institut français d’Ecosse, Edinburgh

Administrative Responsibilites :

  • Chair of the Department of English Studies
  • Co-director of udpn (Usages des patrimoines numérisés, SPC project)
  • Co-director, with Emmanuelle André (Paris 7 Diderot), Nicole Vincent (Paris Descartes) and Camille Kurtz (Paris Descartes) of the Technological Uncanny project
  • Co-director, with Kriss Ravetto (U.C.Davis) of the Film and Intermediality, E.U.P. series.
  • Co-director, with Baptiste Bohet (Paris 3) of the Usages des patrimoines numérisés, Bord de l’Eau book series.

Research Supervision :

  • Cinema and video art (phenomenology, aesthetics, reception)
  • Forms and practices of the moving image in the era of the digital
  • Contemporary Art Institutions
  • Intermediality …

Sélection de publications :

  • L’attrait du flou, Yellow Now, 2017
  • Indefinite Visions : Cinema and the attractions of uncertainty, with A.Cameron and A.Fetveit, Edinburgh University Press, 2017
  • “The reflexive turn : mediating and .remediating Hollywood”, co-edited with Jane Sillars, Screen 58, 2017
  • Cinema and Sensation – French Film and the Art of Transgression, Edinburgh University Press, ISBN 978-0-7486-2042-5, 2007 and 2012
  • Proust at the Movies, with Marion Schmid, Ashgate, ISBN : 0 7546 3541 4, 2005.
Actualités News

contacts contacts